High Altar

A LONG long time ago in a far off town, some friends and I were invited to a swanky party at an abandoned Victorian monastery that had been converted into a corporate events venue. Rumour had it that back in the day the monks used to run their own moonshine.

II

ON FINDING ourselves a table, we could queue up at any of the seven feeding stations, themed according to each of the Deadly Sins. The catering staff were fitted with horns and forked tails.

After the buffet and the band, the venue became an instant nightclub, the dance floor in front of the High Altar, the music leaning towards anything with a deep base and a strong beat. Lasers and soft psychedelics blended into stained glass, dry ice oozed from the seams.

Doof. Doof.  Doof. Doof.
Doof. Doof.  Doof. Doof.

I itched to join in the revelry but couldn’t bring myself. Haunted by an image from Sunday School of a psychotic-looking Jesus wrecking the Temple because it had been put to wordly use, I declined all attempts to drag me onto the floor.

Until I raised my eyes, I hadn’t paid much attention to the dying Christ suspended from the rafters. The thorns, the twisted expression of pain and suffering, sinews taut, a cloth barely covering his dignity, the unimaginable sorrow of a man in his final moments.

And punching the air beneath the feet of the naked guy nailed to the cross was the tall man wearing a jumper and a dog collar, his sweaty face gleaming through the fog. The vicar.

Dear God, I’ve seen it all now.

A subtle movement above his head caught my eye. The painted wooden crucifix swung back and forth like a pendulum. Hardly blinking for several minutes, I could see the movements become more pronounced. One swing now for every four doofs.

I ran my eyes up and down, looking for the weakest point. The pendant hung from two long metal chains, hooked onto rings attached to a high wooden beam. Beyond that, it was hard to tell what was what.

But one thing was certain. That crucifix weighed a tonne and it had a life of its own. I could see it all now. The plummet, the loud crash, the gasps, the cloud of dust, the horror as it smashed into the minister and his immediate entourage.

Images of screaming choir boys in St Paul’s Cathedral, a mummified Richard Burton lying in a hospital bed. The bit of paper at the end of the movie scrawled with the words ‘Windscale’ … The Medusa Touch. How little it would take to bring that lot down. I should be careful not to think on it too hard. I might cause it.

And didn’t I know just how easy it was for those screws to come loose. Oh yes, I had watched episode upon episode of CSI. I had just seen the one where the house collapsed because the sonic boom of low-flying aircraft made the screws drop out of the walls …

I could see it now, JESUS SPLATS RAVING VICAR. Great headline … very messy …

Swing. Doof, doof, doof, doof. Swing …

III

I CAN only assume that everyone survived. My friends and I left before we had a chance to find out.

Copyright (c) M K MacInnes

THE LOST SECRET (first two chapters)

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For reasons that I won’t go into here, I have decided to scrap any attempt to sell my ‘mini-book’ on Amazon. Why it’s only two chapters and only on Kindle needs too much explanation. Instead, it is available here via the link below. This may be temporary, it may be permanent, I don’t know. We’ll see where this goes.

You can read the first two chapters here.

Although this offering is free, donations are gratefully accepted.

The Quandary

I am by no means an expert in anything but when it comes to being me I am a fucking pro

I’ve sweated these past few days about how to write this post. I had intended to attempt to justify the course of action I am about to take, before then realising that I didn’t have to explain myself at all. Firstly, the circumstances that led me to this juncture are too complex to pack into a single post – secondly, I’ve over-explained myself already – and thirdly, too many spoilers! No amount of explanation can adequately convey what is the most finely sprung state of affairs you can possbly imagine (think tight-ropes, nooses and crocodile clips).

I have no doubt that many will look at my actions and think “What the ****?” Suffice to say that I have agonised long and hard over this and, given the specifics of my circumstances, it is the most appropriate action I can take.

It is what it is. Stay tuned …

M K MacInnes
5 October 2020

Brothers in Arms

templar

TO THE strains of Dire Straits, I am surrounded by battle in its last throes, a sea of mud everywhere. These fields of destruction, baptisms of fire, I’ve witnessed your suffering, every man has to die …

But not just yet. A trapped horseman is pulled from between his fallen mount and the mire. Am I the one being pulled or the one doing the pulling? I can’t tell which of us is which.

I do not know where I am or who I am other than that I am a man. And I know not how I know but the other man is Rab …

* * * * *

BOTH RAB and I fluttered in the same social circle. For me anyway, the sense of having met before was instantaneous.

It was while walking along a busy street only days after our introduction that I was hit with the cinematic picture of horses flopping about in the mud and an intense feeling of loyalty, brother to brother. I had never had a ‘vision’ with audio before.

Somewhere between a week and two weeks later, I meandered through Leith Links, on my way to the house of the mutual friend who had introduced us. Having never taken that particular route before, I scanned the open green and surrounding buildings. As I did so, got a strong impression of mud where there should have been grass.

The answer to my immediate question came quickly and without the asking. It was my friend who told me that here in the middle of the 16th century, the French had occupied Leith, until they were forcibly removed by the English army in 1560. Like most Scots, I had never heard of the Battle of Leith Links, or rather the Siege of Leith.

A short time later, Rab and I found ourselves blethering – as we were prone to do – like there was no tomorrow. Only this time our conversation took a more spooky turn than usual. Ghosts, dreams, you name it. The situation was ripe for bringing my battle vision into the conversation.

Thing is, Rab beat me to it …

“I’ve been having this recurring dream,” he said. “Well, actually, it’s more like a vision coz I only get it when I’m awake during the day.”

I know what he is going to say. Baited breath.

“I’m in a battle and I’m being pulled out from under a horse.”

I felt my face turn to rubber. It must have blanched, for he said “Not you as well.”

Up to that point, I had told no-one.

I choked “Was it a muddy battlefield?”

“Yes,” came the whisper.

Copyright (c) M K MacInnes

Coming to Amazon 16 July 2020

The long wait is nearly over …

lost secret graphic newsletter

VIEWED as a case study in archetypal psychology, this brave and frank memoir explores the role of consciousness in shaping our destinies, backing up Carl Jung and Joseph Campbell’s insights into the very essence of the human and universal psyche. As a piece of storytelling alone, THE LOST SECRET is a spectacular modern day reworking of Ishtar’s mythic Descent into the Underworld …

Copyright (c) M K MacInnes 2020

Click here for more info.

Me and my Shadow

ONE OF the most challenging foes the archetypal Hero will ever have to face in his/her journey is the Shadow, the ‘dark’ or hidden side of the personality. Stored in the subconscious, it is instinctive and irrational and it is this aspect of ourselves that is at play when we snap or pass judgement. What we reject about ourselves, we project, usually as a moral deficiency in others. The Shadow is not necessarily dark but a spectrum of negative and sometimes positive aspects. It is largely negative because we tend to reject the least socially desirable aspects of our personality. People with low self-exteerm/anxiety typically repress positive attributes, the most obvious being self-love; for a psychopath, the embodiment of their Shadow is what a non-psychopath would perceive as the Light. The Shadow begins to form when as children we try to ft in by repressing aspects of ourselves that either we don’t like or our peers/family don’t like. These can be behaviours, emotions, thoughts, differences, and even memories. As we progress through the educational system, the conscious ego develops beliefs about its place in the world in order to further protect it from rejection by others. Since standards are set from birth that are impossible to live by, it is inevitable that we all form a shadow. The unconscious mind (which includes the subconscious) communicates with our conscious mind through symbols in dreams and visions (among other channels), in a relentless attempt to bring the subconscious back into consciousness. The outward appearance of the symbols used is determined by cultural factors, so in a Christian culture, for instance, the Shadow may manifest as the Devil. Coming into contact with the Shadow may stir up feelings of shame, which is especially typical of sexual matters. Because full sexual expression is repressed by most societies, sexual repression is a more or less universal component of the Shadow. Each Shadow is unique and the more repressed it is, the more power it has over the individual. Compare a philanthropic gangster with a priest who secretly preys on children – the priest has the denser shadow. Conversely, accepting one’s dark side minimises its chances of expressing itself. Recognising one’s dark aspects is the first prerequisite to self-knowledge and a major component of psychosynthesis. It takes considerable mental and moral effort on the part of the ego. Acknowledgement and acceptance of the shadow is a lifelong process of descent, ascent and assimilation. If the process is interrupted, one may have to start over, though not at the very beginning, the subsequent attempt more accelerated than the last. A lifelong game of snakes and ladders! Integration requires vigilance to ensure that we do not over-identify with the ‘dark side’, as the shadow can integrate the conscious instead of the other way around. Susceptibility to such self-sabotage arises during times of stress, shock, confusion or over-thinking. Philosophical and religious traditions have told us for millennia to be ‘better’ human beings but not how to get there. The roadmap is steeped in mystery and jargon under the pretext that the average human being is incapable of such an undertaking. Which to an extent is true but largely because the information is so closely guarded in the first place, a shadow in itself. Personally I believe that even the most dysfunctional human being can be regarded as ready, as long as they have access to the right tools at the right time. Creativity and criminality are both indicators, the latter being a form of the former, and it is a well known fact that the bipolar nature of shadow work drives the creative process (the constant tension between opposites acts rather like a pump). Depression in one who may not even know of individuation is another clue that shadow work is at least in its early stages. Considering that depression and anxiety have reached epidemic proportions (I can only speak for the UK), it is a no brainer that a high percentage of the population has been on the cusp for some time. When the spiritual industry does articulate some form of methodology, most teach that the ego has to be overcome or transcended. This in itself is an act of dissociation, which only feeds the Shadow, so I agree with Carl Jung’s assertion that the conscious and unconscious must fuse for wholeness to occur. Indeed, I find the transcendental route to enlightenment, particularly through use of drugs, can do more harm than good. The Shadow has to be dealt with head on before enlightenment can truly begin. This is why it’s vitally important that we build on the momentum of the Black Lives Matter movement. in order to achieve a more enlightened state of relationship with ourselves and our planet, exposing that which is hidden in our collective pasts is a painful but necessary milestone in the healing process.

Copyright (c) M K MacInnes 2020

Reality check 2020

Young woman wearing virtual reality glasses

WHEN I published my first short story collection, Close Call: Short and Bittersweet, I dedicated it to ‘the two Gerries, without the shadow of whose memory this my first book would never have seen the light of day’. My brother asked me who the other Gerry was and I told him it was a reference to our late mother’s schizophrenia (she was a Gerry too). Well, that was only partly true. My choice of words was designed to be ambiguous. So in effect, I lied.

There are things even my closest friends and family never knew about me that I’ve lugged around for years. I may have dropped little jigsaw pieces here and there, that is when I did feel inclined to discuss it. But the bigger picture was so mind-blowing and at times surreal that even when I tried, I could never find the words. The only way was to write it. And that has taken years and many false starts.

My biggest problem was never the writing but the perceived risks of attempting to get it published. It describes a unique inner journey and under normal circumstances, the right publisher would bite my hand off. However, it is loaded with legal implications and I can’t very well pass it around in the expectation of confidentiality. And I can only disguise my characters up to a point without killing the story. Particularly as it has an ethical and spiritual angle to it, it has been my goal all along to act with the best intent towards the individuals who co-created it. Which is all very well if you can get hold of them and they are not surrounded by a metaphorical barbed wire fence.

Another dilemma I faced was deciding who my readers were. The closest genre would be ‘spiritual memoir’. However, a wider readership, for whom some of the themes I touch on would have little or no appeal, might have altogether different motivations. I would rather sell fewer copies to a smaller audience, for whom the subject matter is meaningful and potentially life-changing. It is something of a paradox that to get people to read it at all, I have to play to the crowd.

And so for the past several years I have danced around the invisible elephant in the room. Pissed in the wind, if I’m honest, by trying to produce ‘other’ stories while the real, the important, the infinitely more sellable work grew arms and legs (two sequels are already underway).

That I now find myself about to publish the first couple of chapters in order to get the ball rolling and generate income to get myself out of the proverbial is deeply unsettling. I have had to weigh up not only my interests and those of my master catalyst but those of society at large. For a start, the full version of my story offers insights that may be helpful in gaining a better understanding of PTSD, possibly even Alzheimers, and I have a duty to share what I know. Having suffered a neurological condition for the last two years, I am only too aware of the role of the psyche in self-healing. Which brings me to the inescapable truth that in order to fully recover, and safeguard my mental and physical health, I must tell my tale. The risks of doing nothing outweigh the risks of doing something.

With the most recent plot twist in our collective fortunes, the COVID-19 pandemic, I have found myself staring at an opportunity – and justification – to act. With recession imminent and my options to keep a roof over my head running out, that’s one almighty stick. The carrot is the global appetite for stories of self-healing that capture the collective imagination – and potential readers have time on their hands. I have known for at least the last decade that telling this story was the sole reason for my very existence. If our hour of direst need is not the time to bring it to fruition, then my entire life will have been for nothing.

The course of action I am taking now, touch wood, is the most significant hurdle I am likely to have to deal with. Before a publisher will stake their reputation on it, I have to remove at least some of the risk. I will almost certainly need the broad shoulders of an established publisher to pull this off in the longer term.

Over the years I have remarked that the best analogy for my life is walking a tightrope with a noose around my neck and crocodile clips around my balls (I don’t have any but you get the drift). If I make it to full publication, you will discover just how accurate that statement – and warranted my occasional use of profanity – really is.

Click here to purchase The Lost Secret.

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M K MacInnes
June 2020

Brothers in Arms

templar

TO THE strains of Dire Straits, I am surrounded by battle in its last throes, a sea of mud everywhere. These fields of destruction, baptisms of fire, I’ve witnessed your suffering, every man has to die …

But not just yet. A trapped horseman is pulled from between his fallen mount and the mire. Am I the one being pulled or the one doing the pulling? I can’t tell which of us is which.

I do not know where I am or who I am other than that I am a man. And I know not how I know but the other man is Rab …

* * * * *

BOTH RAB and I fluttered in the same social circle. For me anyway, the sense of having met before was instantaneous.

It was while walking along a busy street only days after our introduction that I was hit with the cinematic picture of horses flopping about in the mud and an intense feeling of loyalty, brother to brother. I had never had a ‘vision’ with audio before.

Somewhere between a week and two weeks later, I meandered through Leith Links, on my way to the house of the mutual friend who had introduced us. Having never taken that particular route before, I scanned the open green and surrounding buildings. As I did so, got a strong impression of mud where there should have been grass.

The answer to my immediate question came quickly and without the asking. It was my friend who told me that here in the middle of the 16th century, the French had occupied Leith, until they were forcibly removed by the English army in 1560. Like most Scots, I had never heard of the Battle of Leith Links, or rather the Siege of Leith.

A short time later, Rab and I found ourselves blethering – as we were prone to do – like there was no tomorrow. Only this time our conversation took a more spooky turn than usual. Ghosts, dreams, you name it. The situation was ripe for bringing my battle vision into the conversation.

Thing is, Rab beat me to it …

“I’ve been having this recurring dream,” he said. “Well, actually, it’s more like a vision coz I only get it when I’m awake during the day.”

I know what he is going to say. Baited breath.

“I’m in a battle and I’m being pulled out from under a horse.”

I felt my face turn to rubber. It must have blanched, for he said “Not you as well.”

Up to that point, I had told no-one.

I choked “Was it a muddy battlefield?”

“Yes,” came the whisper.

 

Copyright (c) M K MacInnes

The Witchery

barbedwire

I DWELL in the company of witches, none of whom I recognise. All robed in black and taking part in rituals, we are controlled by a matriarchal figure we cannot see but who we know is there. I want out but leaving is not an option. When I do something that is against Her, I am mind-controlled into doing her bidding. I am aware of yet another presence that I cannot identify …

After a time, we find ourselves in a massive black tent, anxious to find out of we are free of Her. We look skyward only to see long blade-like nails tear through the tent lining. She is coming for us. I fight to maintain my free will yet again but it is even harder than before. When She finally shows herself, she too is dressed entirely in black with a head-dress resembling that of the White Witch of Narnia. Tiny barbed objects shoot at my fingers, embedding themselves into the very tips. Even as I try to will them out from under my flesh, they expand, so that when they break the surface, it is worse than if I had left them alone. Giving in would be so much easier; the more I fight Her, the greater the pain …

Fast forward and I stand at a hospital reception desk. A man, whose presence I recognise from the witches’ coven, comes in asking for someone. I look at him blankly until, without me needing to say anything, he realises that he is himself the man he is looking for. Then, just before we get the opportunity to combine our efforts, both he and I are dragged away by orderlies …

Copyright (c) M K MacInnes